![show waveform after effects show waveform after effects](https://help.apple.com/assets/5EFDEEB1680CE2A512819D40/5EFDEEC6680CE2A512819D76/en_US/5605a3be0e487191268d06fb790bd84a.png)
The YC Waveform displays a graph showing the signal intensity in the video clip. Vertically, the waveform displays the luminance levels, and optionally, the chrominance levels. The horizontal axis of the graph corresponds to the video image from left to right. The waveform monitor works something like a graph. In Premiere Pro, the waveform monitors can also display chrominance information. The traditional waveform monitor is useful in measuring the brightness, or luminance component, of a video signal. A vectorscope maps a video’s color information onto a circular chart.
Show waveform after effects full#
Even if you kept the Master comp a full 45 minutes long and never went to Premiere to finalize the edit, you would be a lot more efficient.Premiere Pro has a vectorscope and waveform monitors (YC Waveform, YCbCr Parade, and RGB Parade) to help you output a video program that meets broadcast standards and make adjustments based on aesthetic considerations, such as color corrections.įor decades, video production and duplication facilities have used waveform monitors and vectorscopes to accurately evaluate video levels-specifically, color and brightness.Ī vectorscope measures the chrominance (color components) of a video signal, including hue and saturation. I would break up your comp into sections that were no longer than a single animated section before I did anything else.
![show waveform after effects show waveform after effects](https://manual.audacityteam.org/m/images/5/55/stereo_track_example.png)
I'm just trying to help you work more efficiently. Drilling down to find about 75 or 100 total frames the client wanted to be changed in a half dozen layers would be a nightmare, and the project would take several hours to render. The comp would have several hundred layers. Just imagine if this project, with a total running time of just over 5 minutes was one comp. The longest render time was for Scene 1-05, a 9 second and 1 frame comp that took just over 40 minutes because it was very complicated. The render cue shows 68 renders so far with a typical render time of about 5 minutes. The master timeline shows the sections of the shot that did not need any work. The flow chart shows the 4 comps that I will need to open up in the Scene 3 section to make some changes for the client. Each master has been split up into separate comps appropriately named. The shortest Master comp from the 4 shots is 15 seconds long, the longest just over 2 minutes. Here's a current project composed of 4 different shots.
![show waveform after effects show waveform after effects](https://img.wonderhowto.com/img/48/59/63475247650427/0/make-abstract-waves-after-effects-with-trapcode-form-plug.1280x600.jpg)
Every frame came from After Effects but not one of those comps was longer than a sentence or phrase, they were all rendered and the edit was done in Premiere Pro. A few years ago I produced 6 hour-long programs for a national client that was 100% animation. I don't think I have ever had a single AE comp longer than a minute or two in the 25 years. I know that it sounds like more work, but everything is easier to handle and you'll get finished in less time. I've been doing this for a very long time. Occasionally I'll break up a master shot in After Effects, but I almost never render the master, I only render the sections. The master shot or audio track is usually broken up into sections with markers in Premiere Pro for video or Audition for audio, and a separate comp is made from each section. I take a shot with a spokesman or interview, or a narration track and combine it with motion graphics. I do the kind of program you are describing all the time.